Seedance 2.5 Frame-Break Sword Dance I

Use @[char ref] as the exact character and style reference. Preserve her white hair, red eyes, oversized black cropped top, long cream skirt with orange lining, bare feet and single slender sword. Keep the same angular painterly anime rendering.

MAIN VISUAL GOAL: an unmistakable OUT-OF-FRAME, POP-OUT effect. The character repeatedly projects beyond the central picture window, with her sword, hands, hair and especially her wide skirt visibly moving OVER the black letterbox bars toward the viewer.

COMPOSITING ORDER, BACK TO FRONT:

1. Background and scene.
2. Two broad black letterbox bars at the top and bottom.
3. The foreground character, including her sword, hair and flowing skirt.

The background is confined to the central picture window. The foreground character is NOT confined to that window. Her silhouette continues uninterrupted across its boundaries and onto the black bars. Cream fabric, orange lining, white hair and the silver blade remain fully visible when overlapping black.

Keep both bars equal in thickness and fixed in screen position throughout. The character covers them temporarily without moving or changing them. Keep sections of black visible beside each overlap so the frame-break illusion remains clear.

The camera stays stationary with a fixed wide-angle lens. The character moves rapidly through depth, creating extreme foreshortening and dramatic scale changes through physical approaches and retreats.

OPENING:
Start immediately with a powerful forward lunge. Her sword hand projects toward the lens and overlaps the lower black bar. At the same time, the nearest cream skirt folds spill across that bar. Establish the frame-break effect clearly in the very first movement.

CHOREOGRAPHY:
She pulls back into the central window, then snaps into a fast turning advance. Her skirt fans outward in a huge cream sweep, crossing the bottom boundary and spreading over the black surface. The orange lining flips into view along the moving hem. Her waist and torso remain inside the central window while the nearest fabric extends outside it.

Reverse the rotation sharply into an upward sword flourish. The blade crosses onto the upper black bar, followed by flying strands of white hair. She immediately drives forward again, bringing her hand and blade extremely close to the viewer.

Chain rapid fencing lunges, spinning evasions, low sweeping turns and short twisting leaps. Repeatedly move from the depth of the central scene into extreme foreground space. Alternate sword-and-hair overlaps across the upper bar with large skirt-and-hand overlaps across the lower bar.

Give the skirt substantial momentum: it follows her hips, overtakes her during abrupt stops and lashes around her during reversals. Show broad cream folds sweeping across black, not merely touching the border. Keep the fabric naturally attached to her waist.

Include a close spinning pass where the skirt occupies a large portion of the lower black bar while her sword cuts diagonally across the upper bar. Her face remains readable between them.

FINISH:
A final explosive lunge brings the sword toward the lens as the skirt billows across the lower bar. Resolve into a confident fencing pose with the blade and cream hem still visibly extending beyond the central picture window.

Prioritize visible foreground overlap throughout. Do not crop the entire character inside the letterbox window. Do not replace the effect with simple zooming or a character moving behind black bars.

Fast, forceful motion with crisp silhouettes and brief directional smears. No slow motion, camera movement, duplicated weapons, cloth morphing, text or background music.